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<h2>n#<a href="/index.php">Copywriter Heaven</a>unc com<a href="/index.php">write-well</a>xmadsa quis quick</h2>
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The Major One Of These Is The Ubiquitous 'meeting'...
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<h1>
Take Your Leads From The Professionals, Meaning Those Present...
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<p>Take your leads from the professionals, meaning those present who are eliciting the most favourable responses from the rest of the crowd; back them <em>up, and chip in with </em>sensible expansions of their ideas. You won't get the credit if any of those thoughts come to fruition, but at this stage simply accept the fact. Once the meeting is over, once all the responsibilities have been delegated, and once the creative platform for the job has been defined, you will return to your desk and work, work, work. That's what they mean by being a self-starter. </p><p>The senior writer on the job is the one to whom you should report. And although he will steal your best ideas, he will, at the same time, see you as someone <em>who can bail him </em>out and be something of a lifejacket when things get rough. Thus, you will be a person who, in his view, should be around on a permanent basis; and he will, for purely mercenary reasons, make this view clear to those who matter, which is what I mean by winning a reputation. It's necessary for your survival. Perhaps the most significant feature of survival in an agency is productivity. </p><p>By that I mean productivity which allows your time to be re-charged to the client so that even if the agency doesn't make a direct profit from you, at least it won't make a loss. See it this way. When an agency sits you at a desk and supplies heat, light, cleaning, PC, paper, pens and all the accoutrements of civilized working conditions, it does so at a cost. A substantial cost. </p><p>Add to that your salary and we're talking large sums. All up, we're talking a figure which works out at about twice your wages. So for them to see any daylight at all, you must do enough re-chargeable work per Getting the job and keeping it 203 annum to completely wipe out your cost to them. </p><p>Many agencies, these days, make sure you're putting in the appropriate amount of graft by asking you to complete a daily time-sheet. These iniquitous documents are then checked every several months, and if the maths aren't up to expectations, you are hauled ignominiously over coals. I dislike time-sheets intensely. </p><p>They are an abomination unto the copywriter, and a pain in the neck to anyone more interested in knocking out good work than in producing profit. But, to be fair and to be sensible, profit is what agencies are in business to earn - whether it offends the creative sensibility or not. On that score, it will help no end, when punting for a job, if your queue in business patter equals your queue in artistic patter. If you can convince an agency that you have a good advertisement awareness between your ears, you'll be far more likely to nail down a position than someone who displays a lack of business acumen. But, anyway, like almost everything else in life, the pursuance of productivity has its snags. </p>
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<p>The major one of these is the ubiquitous 'meeting'. Now, meetings - the coming together of like-minded souls for a mutual purpose are as much a part of ag...
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<p>But to get that . . . well . . . new readers start at . Second the freelance must be a paragon of virtue...
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<p>But to get that . . . well . . . new readers start at . Second the freelance must be a paragon of virtue, and the tightest of tight-lipped characters, who...
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