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          <td colspan="2" bgcolor="#333366"><font color="#000000"><b><font size="1" color="#FFCC00">Interview:</font><font size="1" color="#FFFFFF"> 
            Tim Lott </font></b><font size="1" color="#FFFFFF">- 05/01</font></font></td>
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          <td valign="TOP"><img src="../../images/goingout/arts_culture/timlottS.jpg" width="100" height="100"></td>
          <td width="100%" valign="top"> 
            <p><font size="1"><b>Tim Lott</b> is a west London based writer whose 
              career took off in 1996 after he published his first book <i>The 
              Scent of Dried Roses</i>, a memoir that movingly deals with his 
              mother's death and his own depression. </font></p>
            <p><font size="1">In 1999 he published <i>White City Blue</i>, a poignant 
              and funny novel about male friendship and growing up, as seen through 
              the eyes of Frankie Blue, a yuppie estate agent in the 90's. With 
              this novel he won the Whitbread First Novel Award.</font></p>
            <p><font size="1"> He has just finished his second novel, as yet untitled, 
              which will be published next year, and is also working on a number 
              of film and TV projects. </font></p>
            <p><font size="1">A long time resident of Notting Hill, My Village 
              met up with him to talk about his work. </font></p>
            <p><font size="1"><b>As well as looking at issues like friendship 
              and personal history, White City Blues is also incredibly funny. 
              </b></font><b><font size="1">Do you purposely blend darkness and 
              comedy in your books?</font></b><font size="1"><b> </b></font></p>
            <p><font size="1">&quot;Life is both pathetic and incredibly funny. 
              That is what life looks like to me. I am incapable of writing any 
              other way. </font></p>
            <p><font size="1">In publishing funnily enough, people are quite uncomfortable 
              about books that are both funny and sad. I think they don't know 
              quite where to put them on the shelves. </font></p>
            <p><font size="1">Even Nick Hornby is marketed primarily as a comic 
              writer when he's really much more than that. It's easier to corral 
              writers into particular camps.&quot;</font></p>
            <p><font size="1"><b>You worked as a journalist for many years. </b></font><b><font size="1">How 
              did you make the move to being a full time writer?</font></b></p>
            <p><font size="1"> &quot;I always wanted to be a writer but for years 
              I didn't think that I was good enough to do it really. I knew that 
              it would be very challenging and lonely and all those things and 
              wasn't sure how I would get on. In the end, journalism lost interest 
              in me. I didn't feel I was getting very far. </font></p>
            <p><font size="1">Someone came to me after I wrote a piece about my 
              mother for Esquire and said do you want to write this memoir. The 
              novel was an accident too, because I was actually writing a book 
              about Tony Blair at the time and it kind of fell to bits. I thought 
              that as they had paid me to write a book I'd better give them something, 
              so I wrote a novel, which became <i>White City Blue</i>. </font></p>
            <p><font size="1">I think I became a writer because I had failed at 
              everything else really. I just got bullied into it by life.&quot;</font></p>
            <p><font size="1"><b>It must take courage to embrace the unexpected 
              � </b> </font></p>
            <p><font size="1">&quot;Life is always a strange mixture of the planned 
              and the unplanned. <i>The Scent of Dried Roses</i> was the foundation 
              of my writing career and so I suppose would never have written that 
              book if my mother hadn't died. </font></p>
            <p><font size="1">You can never tell from the perspective you are 
              at whether something is actually good or bad. The consequences of 
              any single event just keep going in so many different directions. 
              A wonderful thing could happen to you and ten years later you look 
              back and see that it's fucked up your whole life. The past appears 
              differently each time I look back at it. </font></p>
            <p><font size="1">Of course I wish that I could be that philosophical 
              when my car gets clamped ...&quot;</font></p>
            <p><font size="1"><b>In another interview you were asked what your 
              motto would be, and you answered 'Always burn your bridges, be ruthless 
              with the past'. Explain � </b></font></p>
            <p><font size="1">&quot;What we do with our past is to turn it into 
              a kind of myth, some kind of ideal place where everything was perfect. 
              I've learned from experience that when you lose something you have 
              got to cut it off, and not hang onto it. And if you need to break 
              up with somebody, just do it, don't hang around. Any other course 
              of action would be terrible, going back, coming forward � </font></p>
            <p><font size="1">I think you have to be ruthless with your past because 
              any other course of action would be disastrous. The past will be 
              ruthless with you if you're not ruthless with it.&quot;</font></p>
            <p><font size="1"><b>Describe your relationship with Notting Hill? 
              </b></font></p>
            <p><font size="1">&quot;On the whole I'm a real advocate of the area. 
              Because it's got the focal point of the market its one of the few 
              places in London where you can still bump into people. </font></p>
            <p><font size="1">I've lived here since 1983 but I've been around 
              the area since I was a little kid. My father was a greengrocer in 
              Notting Hill Gate and when I was young I used to work in his shop. 
              I still eat in restaurants where I used to deliver vegetables when 
              I was 14. </font></p>
            <p><font size="1">It's a clich� to say it but there has been a real 
              change in the area over the last few years. I think you can trace 
              it to the Notting Hill movie really. There seems to be a different 
              type of people moving in. </font></p>
            <p><font size="1">I went into Bali Sugar on New Years Eve and that's 
              a place where I have been going for years, and suddenly I felt really 
              out of place. I was dressed fairly smartly but the people in there 
              were so well turned out it was incredible. They so were all so rich. 
              I don't know why that bothers me but it does somehow.&quot; </font></p>
            <p><font size="1"><b>Both your books are set in West London. Do you 
              consider yourself a West London writer? </b></font></p>
            <p><font size="1">&quot;It could be laziness really. I don't have 
              to do research if I set my books here. But it doesn't really matter 
              that much, it's the people who I am writing about who are important. 
              My new novel is set in west London and in Milton Keynes so I am 
              gradually moving away. </font></p>
            <p><font size="1">The book starts off set in a Fulham council estate 
              and it's really a look at the 80's from the perspective of a normal 
              guy, a kind of worm's eye view of a decade when there was huge social 
              change taking place. I chose Milton Keynes because anonymous soulless 
              places like that somehow represent that time for me. </font></p>
            <p><font size="1">It was the first time when mobility became huge 
              and people were moving around a lot. A huge number of people from 
              London moved to places like Milton Keynes in an attempt to leave 
              the inner cities, only to discover they were now living somewhere 
              that was even grimmer. The book is a tragedy really, much darker 
              than White City Blues but still with humorous moments of course.&quot; 
              </font></p>
            <p>&nbsp;</p>
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          <td valign="TOP"><img src="../../images/goingout/arts_culture/timlottS.jpg" width="100" height="100"></td>
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            <p><font size="1"><b>Favourite Local Restaurant </b><br>
              Bali Sugar. I also used to love The Good Cook at the Tabernacle. 
              It was great value. The Wine Factory also do really inexpensive 
              lunches. </font></p>
            <p><font size="1"><b>Favourite Local Bar </b><br>
              Galicia on Portobello Road is my favourite. Its one of those places 
              where you can sit quite happily until one in the morning. </font></p>
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