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    <td valign="middle" align="center" width="16%"><img src="../../../../images/art_entertainment/noguchi1.jpg" width="267" height="200"></td>
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    <td align="center"><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Noguchi 
      with 'The Kiss' by Brancusi</font></td>
    <td align="center"><font face="Verdana, Arial, Helvetica, sans-serif" size="1">Akari 
      lights</font></td>
    <td align="center"><font face="Verdana, Arial, Helvetica, sans-serif" size="1">Isamu 
      Noguchi with Akari sculptures</font></td>
    <td align="center"><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Couch 
      1948, Herman Miller</font></td>
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        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="1">Isamu Noguchi 
          is on record as saying that for him art and design should be regarded 
          as interchangeable terms, and the exhibition</font><font face="Verdana, Arial, Helvetica, sans-serif" size="1"> 
          <b>Isamu Noguchi: Sculptural Design</b> manages to introduce us this 
          idea through a displaying a small selection of his unique output.</font></p>
        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="1">Born in 
          Los Angeles in 1904 to a Japanese father and American mother, Isamu 
          Noguchi throughout his life bridged the artistic traditions of the East 
          and West. In his long career he slipped seemlessly between the worlds 
          of art, design and architecture producing a huge variety of different 
          types of work, including domestic objects, sculptures, architectural 
          monuments, gardens and theatre design. He also worked in collaboration 
          with many of the 20th century's leading cultural figures, the choreographers 
          Martha Graham and Merce Cunningham, the artists Brancusi and Diego Riviera, 
          poet Ezra Pound, composer John Cage and visionary engineer Buckminster 
          Fuller.</font></p>
        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="1">Strongly 
          influenced both by American modernism and traditional craftsmanship 
          Noguchi applied his sculptural sensibility to furniture and lighting, 
          most particularly his modernising of the traditional Japanese paper 
          lantern. His Akiri paper lantern and subsequent copies became one of 
          the most omnipresent domestic objects in the last 50 years.</font></p>
        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="1">The Design 
          Museum's exhibition, designed by the America theatre designer Robert 
          Wilson, makes the bold move of doing away with signage and labelling, 
          giving us the immediate impact of encountering the objects themselves 
          rather than explanations of them. </font><font face="Verdana, Arial, Helvetica, sans-serif" size="1">This 
          staging works really well because Noguchi's objects don't set out to 
          advertise themselves as art, but as interesting, intruiging objects 
          for the world rather than the gallery.</font></p>
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        <p>&nbsp;</p>
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        <p><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><br>
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        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="1">It would 
          be easy for the quietness of the works to be overwhelmed by the traditional 
          exhibition contextualising, but in a world without signposts we find 
          our way through Noguchi's work by encounters with different materials, 
          textures and shapes, which is true to Noguchi's own attitude.</font></p>
        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="1">As well 
          as his famous series of Akari lamps, his furniture, his sculptures and 
          his models for a huge number of architectural projects, the exhibition 
          also gives us the unique opportunity to experience some of Noguchi's 
          stage design work with Merce Cunningham and Martha Graham who he worked 
          with on some of the most important dance works of the 1950's including 
          a staging of Copeland's Appalachian Spring. </font></p>
        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="1"><b>Isamu 
          Noguchi : Sculptural Design</b> runs from 20 July until the 18 November 
          2001 at the Design Museum, 28 Shad Thames, London SE1 2YD</font></p>
        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="1">Admission 
          (which includes access to the rest of the museum) &pound;5.50 Adults, 
          &pound;4.50 Students, <br>
          &pound;15.00 Family Ticket</font></p>
        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="1"><b>opening 
          times:</b> 10am-5.45pm Daily. Last Admission 5.15pm<br>
          <b>information:</b> 020 7940 8790<br>
          </font><font size="1" face="Verdana, Arial, Helvetica, sans-serif"><b>website:</b> 
          <a href="http://www.designmuseum.org/"><b>www.designmuseum.org</b></a></font></p>
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